“Pour servir sa première Femme sans ombre, l’Opéra de Lyon propose la vision moderne et esthétique de Mariusz Treliński et une distribution sans point faible, sous la conduite du directeur musical de la maison, Daniele Rustioni. Résultat : les vivats s’élèvent dès les entractes.”
« The Orchestra although reduced, is twirling, powerful, terrible or threatening, in a completely Straussian, sometimes even Wagnerian style, that the musical director of the place, Rustioni, manages to develop despite the Italian tropism of his usual repertoire. The richness of the harmonics is thus sublimated by the subtlety of the individual strokes, including in the solos of great sensuality. »
Olyrix, Damien Dutilleul